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sews:

Original 

arthur kleinjan, paris looks. 1999-2001

Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.

“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.” (x)

(Fuente: infesting, vía spring2000)


alexander wang s/s 14 in the new issue of gentleman korea

alexander wang s/s 14 in the new issue of gentleman korea

(Fuente: vuittonable, vía moon-tanned)

rafsimonsredux:

ph. Salvatore Caputo

Taken by me from Dust #4

rafsimonsredux:

ph. Salvatore Caputo

Taken by me from Dust #4

(vía superpretty)

iamkida:

Want Les Essentiels De La Vie

iamkida:

Want Les Essentiels De La Vie

cross-connect:

Tagl (2013)

Karen Ösp Pálsdóttir was born in Reykjavík, Iceland in 1992.

Read More

darthmoonmoon:

Bby

(Fuente: cad-y, vía cabezaechorlito)

sews:

Original 

arthur kleinjan, paris looks. 1999-2001

Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.

“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.” (x)

(Fuente: infesting, vía spring2000)

(Fuente: glycerinum, vía anotic)

(Fuente: kindredbodies, vía rexheli)


alexander wang s/s 14 in the new issue of gentleman korea

alexander wang s/s 14 in the new issue of gentleman korea

(Fuente: vuittonable, vía moon-tanned)

20aliens:

Ana Mendieta

20aliens:

Ana Mendieta

(vía amzdil-c)

(Fuente: highonflowers)

rafsimonsredux:

ph. Salvatore Caputo

Taken by me from Dust #4

rafsimonsredux:

ph. Salvatore Caputo

Taken by me from Dust #4

(vía superpretty)

(Fuente: tajbourgeois, vía organdonor)

(Fuente: lheureexquise, vía ephe)

iamkida:

Want Les Essentiels De La Vie

iamkida:

Want Les Essentiels De La Vie

lehroi:

Legs, 2014.Chris Schoonover

lehroi:

Legs, 2014.
Chris Schoonover

(vía primsa)

cross-connect:

Tagl (2013)

Karen Ösp Pálsdóttir was born in Reykjavík, Iceland in 1992.

Read More

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PR.

Siguiendo:

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Gap
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